- Old Rottenhat · 1985
- Rock Bottom · 1974
- Rock Bottom · 1974
- Shleep · 1997
- Rock Bottom · 1974
- Rock Bottom · 1974
- Shleep · 1997
- Nothing Can Stop Us · 1980
- EPs · 1982
- Ruth Is Stranger Than Richard · 1975
- Ruth Is Stranger Than Richard · 1975
- Rock Bottom · 1974
- Old Rottenhat · 1985
Essential Albums
- Robert Wyatt had been an integral member of the Soft Machine, Canterbury, England’s greatest art-rock band. Where other art-rockers looked to wild theatrics and grandiose concepts, the Soft Machine plunged ahead into their uncompromising music. This brilliant solo album was being written before Wyatt fell from a five-story window and broke his spine. He finished it in the hospital, realizing that the album would have much less of his drumming and far more of his gentle, emotionally compelling voice. The arrangements are delicate and often sparse. His bride-to-be Alfreda Benge helped inspire him to new levels of personal introspection that still play out as complex puzzles. “Sea Song” is a perfect opener, settling into a melody that slips around the modest keyboards. “A Last Straw” begins as an atmospheric piece before breaking into cherubic vocals. “Little Red Riding Hood Hit the Road” is psychedelic with a tough, acid edge. “Alifib” is a soothing match of instrumental weirdness and mild, heart-melting vocals. Wyatt remains a relative obscurity in the U.S., despite his massive talents.
Albums
Artist Playlists
- Tapping into off-kilter jazz and sly political pop.
Live Albums
Compilations
Appears On
- Future Pilot A.K.A.
- Hugh Hopper & Mark Kramer
- Lol Coxhill, Charles Hayward, Hugh Hopper, Orphy Robinson with Guest Robert Wyatt, Charles Hayward, Hugh Hopper & Orphy Robinson
- News From Babel
About Robert Wyatt
Not only was Robert Wyatt among the key figures taking UK folk rock and psychedelia into bold new directions at the dawn of the ‘70s, he also persevered in the face of intense challenge to become one of British music’s most cherished mavericks. Born in Bristol in 1945, Wyatt learned to drum as a teenager and played and sang in various acts before helping found Soft Machine in 1966. The band’s whimsical spirit and adventurous blend of folk, jazz, and psychedelia made them forerunners of what became known as the Canterbury scene. After leaving Soft Machine in 1971, Wyatt made his solo debut with The End of an Ear and formed the band Matching Mole. His life took an unexpected turn when a fall from a window in 1973 left him paralyzed from the waist down. Shifting to keyboards as chief accompaniment for his yearning voice and often politically pointed lyrics, Wyatt went on to create a spellbinding body of work that includes idiosyncratic original efforts such as 1974’s beautifully placid Rock Bottom, covers like his haunting 1982 version of Elvis Costello’s “Shipbuilding,” and collaborations with Björk, Max Richter, and many other admirers.
- FROM
- Bristol, United Kingdom
- BORN
- 1945
- GENRE
- Rock