You Can’t Kill Me

You Can’t Kill Me

070 Shake sounds like she’s in pain across You Can’t Kill Me. If love was an inspiration for the Jersey-hailing G.O.O.D. Music signee's follow-up to 2020’s Modus Vivendi, it is only to the extent that it has wounded her, caused her to wound someone else, or forced her to treat wounds of her own. The project is heavy and operatic (production credits list Dave Sitek, johan lenox, and Dave Hamelin, among others), and Shake sings frequently about relationships past (“Web,” “Stay,” “Medicine,” “Se Fue La Luz”), present (“Blue Velvet,” “Cocoon,” “Wine & Spirits”), and, in one instance—hopefully—future (“Invited”). What’s clearer than anything else across You Can’t Kill Me is that 070 Shake knows how to turn her pain into art. Or maybe it’s more like she tells us on “Wine & Spirits,” that “Life is about balance, war and harmony/Can’t have one without the other.”

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