King Crimson

- Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")
- In the Court of the Crimson King (Expanded Edition) · 1969年
- 21st Century Schizoid Man (Including "Mirrors")
- In the Court of the Crimson King (Expanded Edition) · 1969年
- Frame By Frame
- Discipline (Expanded Edition) · 1981年
- The Court of the Crimson King (Including "The Return of the Fire Witch" and "The Dance of the Puppets")
- In the Court of the Crimson King (Expanded Edition) · 1969年
- Matte Kudasai
- Discipline (Expanded Edition) · 1981年
- I Talk to the Wind
- In the Court of the Crimson King (Expanded Edition) · 1969年
- Indiscipline
- Discipline (Expanded Edition) · 1981年
- Three of a Perfect Pair
- Three of a Perfect Pair (Expanded Edition) · 1984年
- The Sheltering Sky
- Discipline (Expanded Edition) · 1981年
- Neal and Jack and Me
- Beat (Expanded Edition) · 1982年
- 21st Century Schizoid Man (Radio Version)
- In the Court of the Crimson King (Expanded Edition) · 1969年
- Starless
- Red (Expanded Edition) · 1974年
- Moonchild (Including "The Dream" and "The Illusion")
- In the Court of the Crimson King (Expanded Edition) · 1969年

In the Court of the Crimson King (Expanded Edition)

60 年代末，摇滚乐发展得枝繁叶茂。披头士在 1969 年发行了经典的《Abbey Road》，Led Zeppelin 推出同名首张专辑，而在“前卫”、“实验”的探索方向上，King Crimson 犹如石破天惊，出其不意地投下一颗让人们倍感兴奋的“炸弹”。《In the Court of the Crimson King 》是 King Crimson 最具代表性的专辑，亦是前卫摇滚领域不可逾越的经典之作。唱片封面设计来自 Barry Godber，那张边缘精神状态被放大的超现实面孔，成为乐队传奇色彩中不可或缺的一抹“深红”。乐队名字来自诗人 Peter Sinfield 的诗句“In the court of the crimson king”，而 Peter Sinfield 的诗歌也被用在这张专辑的歌词创作中。King Crimson 将爵士乐、古典乐融入以蓝调为基调的摇滚，时而尖锐紧张，时而温和梦幻，以超前的音乐氛围与节奏掌控，制造出浓烈、神秘、浩瀚的迷幻声音。他们在民谣开篇的《Moonchild》后段展示了无调音乐的魅力，在名作《21st Century Schizoid Man》中将摇滚、爵士与合成器音色灿烂交织，散发出超越时代、影响至今的先锋气质。