Mouse on Mars' skill at combining and recontextualizing everything from ambient, techno, and dub to rock and jazz makes them one of electronic music's most restlessly creative acts. On albums such as 1994's Vulvaland and the following year's Autoditacker, Andi Toma and Jan St. Werner forged an unpredictable, beguiling mix of ambient pop, dub, Krautrock, industrial, and more. The duo's heavily hybridized approach only grew richer as Toma and St. Werner added harder-edged beats and more hooks to 2000's Idiology and delivered equal amounts of experimentation and mischief on 2012's Parastrophics. With 2018's Dimensional People, a meld of footwork and orchestral influences with triggered percussion, and 2021's artificial intelligence concept album AAI, Mouse on Mars' blend of cutting-edge technology, academic theory, and enduring passion for all kinds of electronic music was as adventurous as ever.