Improvization at the keyboard was an essential condition of Handel’s musical life, just as it has been for Keith Jarrett. The latter’s feeling for subtle shifts of expression and ability to get under the hood of whatever he plays, whether jazz or classical, bring countless insights to these captivating interpretations of seven of Handel’s Keyboard Suites. Jarrett projects the composer’s contrapuntal lines with tremendous clarity, allowing each to speak freely without overpowering its companions. Every piece sings and dances under his fingers, at times with supreme grace, as in the “Sarabande” from the Suite in D minor and the “Adagio” from the Suite in F major. Others, such as the “Gigue” from the Suite in A major and the “Allemande” from the Suite in B flat major possess an irresistible charm.