More choral gorgeousness from Glasgow’s premier bedroom dreamer. Yes, the lush, enveloping laptop classicism that made Christopher Duncan’s debut such a precision-engineered joy is back on this follow-up. But there are signs of growth, too. “Other Side” packs a rainstorm of layered, warped harmonies, “Wanted To Want It Too” adds the ghostly march of a synthesised groove, and “Last To Leave” uses church organs to conjure a suitably grand cathedral of vaulted, sunlit sonics.